RA-10

Reamping is sending a recorded DI signal — typically a clean guitar, bass, or synth take — back out through analog gear (pedals, amps, outboard) to colour it with hardware you couldn't use during tracking. You get the take you wanted, plus full freedom to tweak the tone after the fact. The RA-10 makes that signal path quiet, clean, and tonally accurate.

Plugins are great. But there's a specific feel and texture that hardware pedals and amps give you — compression, saturation, room interaction — that plugins still can't fully replicate. Reamping lets you use both: capture clean DI, then run it through the gear you love whenever you need it.

No. The RA-10 is fully passive — no battery, no phantom power, no wall wart. Plug in and go.

It varies the output impedance the RA-10 presents to your pedals or amp. Different pickup-style impedances change how pedals respond — fuzzes especially come alive or fall flat depending on what's feeding them. The Z control lets you dial in the feel of a humbucker, single-coil, or in-between source.

Anything with a clean DI track: drums, vocals, synths, bass, samples. Engineers love running drum bus DIs through pedals for parallel processing, or sending vocal stems into spring reverbs and tape. The RA-10 doesn't care what the source was.

The RA-10 is mono, passive, and the simplest member of the family. The RA-20 adds a second matched channel for stereo reamping. The RA-100 is our flagship: stereo plus integrated return path, so you can reamp and re-record in the same loop without repatching.